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静静听这首熟悉如床头灯光一样的歌,爱不随寒风和背影一起远去。
荒原中的夜莺,Tom Keifer,背朝大海弹奏钢琴,唱:
i can't tell you baby what went wrong
i can't make you feel what you felt so long ago
i'll let it show
i can't give you back what's been hurt
heartaches come and go and all that's left are the words
i can't let go if we take some time to think it over baby
take some time, let me know
if you really want to g
don't know what you got till it's gone
don't know what it is i did so wrong
now i know what i got
it's just this song
and it ain't easy to get back
takes so lon
i can't feel the things that cause you pain
i can't clear my heart of your love it falls like rain
ain't the same
i hear you calling far away
tearing through my soul i just can't take another day
who's to blame
if we take some time to think it over baby
do you wanna see me beggin' baby
can't you give me just one more day
can't you see my heart's been draggin' lately
i've been lookin' for the words to sa
don't know what you got till it's gone
don't know what it is i did so wrong
now i know what i got
it's just this song
and it ain't easy to get back
takes so long
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今天,我二十七岁。
已婚,父母健康;工作收入稳定,有住房和两辆车。
幸福,但不感到快乐。
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昨天第五届宋庄艺术节开幕了,受参展的朋友邀约,我去转了转。如今艺术于我就像一块已经习惯了的鞋垫,抽出来臭不可闻,扔掉吧又硌的难受,姑且就先这么垫着,自个舒服,别人也多半闻不大着。
先在朋友家小坐。她租住的工作室有个不怎么艺术的名字:北向阳光。听上去像一买不出去的打折楼盘。朋友做的雕塑残酷的很,红蓝绳子缠绕的脏器,看的我的心肝肺也很纠结。期间几位大人物也来拜访,穿西装和唐装的,各自顶着经纪人和评论家的帽子,进屋脱掉,露出诡异的笑。
然后我们被拉去看一个名“无界”的与聋哑人有关的艺术活动的开幕,四下都是韩国人和聋哑人,打着手语或者讲呜里瓦拉的高丽话,我茫然的要离开,一朋友拉着我说:一会有演出,《千手观音》,你不看?不久大名鼎鼎的方立均和什么司的司长勾肩搭背讲了些话,大家卖力的鼓掌。刘二说:“这丫不当司长简直浪费了人才!”不知道下面的聋哑兄弟是否买他的帐,但我总觉得他们缺少的绝不是艺术而是些更实际的关怀。走出来坐在门口抽烟,两个艺术家摸样的人抱着一卷海报匆匆而来,奋力的张贴在一面满是展览信息的墙上又匆匆而去。我对刘二说:“竞争很激烈呀,你看这海报厚的,你不盖人家就被人家盖住了……”
其他展览都大同小异,没有什么新花样。倒是宋庄日新月异的变化叫我感慨:路边到处是大片大片的工地,不久的将来就是大片大片的艺术区。楼盖的越来越艺术,房租越来越贵,艺术家却越来越不像艺术家了。
路上还碰到了被称作中国艺术"教父"的栗宪庭,笑眯眯的被一个温柔的姑娘满口老师拽进了小轿车,估计这个月也够他老人家忙活的……
吃晚饭的时候旁边有人递来一本诗集,朋友告知那一桌全是诗人。其中一女子颇红尘,我心想妈的这年头诗人怎么还是靠那点本事骗姑娘啊,结果“姑娘”一扭头,我靠竟然是个男的,我差点把刚吃进嘴的“毕加索炖土豆”吐出来……
朋友的新作品触感相当好……


















